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The poem starts with a fast paced first line, commas are used frequently to fasten the pace of the poem. The enjambment also helps to increase the speed by showing the flow of the lines and show a continuity, and it’s only when she first sees the wolf that a full stop is used suggesting that she is startled or in awe of the wolf. She describes her first glimpse of the wolf as “clapping” suggesting that it happened suddenly and hence brings an end to her long fast paced sentence which provides a contrast with the monosyllabic “It was there that I first clapped eyes on the wolf.”

In the next stanza, the pace is fastened again; the use of commas makes the sentences longer as does the enjambment. The rhyme of “paw” and “haw” also increases the pace suggesting that she is excited by his “verse” and even when the lines are ended with exclamation marks, the repetition of ‘What big..’ which both allows the continuing speed and allows the reader to parallel the lines from the original Little Red Cap, but Duffy uses it as a compliment.

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Duffy then lists all the things which can describe her, this list builds up the speed showing the on going excitement that poetry allows her to have (which later becomes her reason “why” for going through the ordeal). In this list she mentions that she’s “never been”, the phrase is supposed to end with ‘kissed’ however the absence of the word implies that she is willing to go further than a kiss to learn, also “waif” is added to her list which ominously could refer to being removed from her home through the hardship that she will experience with the wolf.

The wolf’s lair is described as “tangled” suggesting that life is complicated and if we were to take this from a autobiographical approach, this would be understandable considering how he she was barely an adult who had started an affair with a famous poet. Further, it is described as a “thorny” place suggesting that she can not move figuratively (in the sense that she can not grow academically); this also creates a strong picture in the reader’s mind of a “babe” vulnerable to be hurt. It however is “lit by the eyes of an owl” which represents why she is there, knowledge (which is traditionally twined with an owl) the fact that it is lit by the “eyes” suggests that she is conscious, the entire time she is there, of the knowledge staring at her.

The “wolf’s’ lair” seems to suggest more than the primitive and animalistic tendencies in the man, ‘lairs’ are used by animals to hide and thus suggesting that he has a reason to hide, this arouses suspicion in the reader and makes him seem criminal and the fact he consciously buys “[her] a drink” and leaves “murder clues” suggests a cold blooded calculated criminal – or even a paedophile, this is reinforced by the double entendre of being at “childhood’s end” which could either mean adolescence or the death of a child, the fact she “crawls” in his wake – much like a child and the “blazer” she is wearing which has connotations of schoolgirl.

His “thrashing” paints a violent picture of her “first time”, and the fact that she “clung” on, suggests that she is holding on for her survival. She then sarcastically and rhetorically asks “for what little girl doesn’t dearly love a wolf?”, this question not only draws attention to the fact that she is a “girl” (and not a ‘woman’) but the endearing “love” she is referring to seems to be in stark contrast to the violent clinging and thrashing aforementioned. The wolf thus appears in an incriminating way and Duffy does this to show how the male literary world is somewhat corrupt and exploitative, in the sense that here is a “girl” who wants to learn and yet she must leave “scraps of red” where she has been violated.

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